Painting at Prophetstown

My visit to Indiana’s newest state park this month challenged me to try out alternative equipment in new locations that differed from my typical schedule. Prophetstown’s unique blend of prairie, wetland and woods honors the memory of important Native American history while providing the perfect setting for painting and interaction. As if that wasn’t enough, this new state park also features several picnic areas, bike trails, an aquatic center, extensive campground and a 1920s small-scale working farm.

Established in 2004, the park sits at the edge of what was originally a tallgrass prairie with areas of open oak woodlands. Glaciers passed across the park at least three times, creating the landscape that I was lucky to paint during my visit. My morning painting demonstration was located at an observation deck overlooking the wetlands and floodplain where the Tippecanoe River meets the Wabash. Harrison Creek flows close to the platform from a pond and fen created by those same glaciers and was running high that morning from all the recent rains.

For the first time since I began painting in the parks I arrived without the tripod that attaches to my paintbox, reenforcing the need for a packing list (that I have already written upon return). Luckily I was able to use my 4-foot folding table set to its highest height, and could spread out the paintbrushes, paint palette and my water container on a stable surface. When I had to pack up and retreat to the car for a brief rain shower, I was able to leave the table set up since it is waterproof. I returned to continue work on the oil painting I’d started while talking to nine visitors and observed many shorebirds and waterfowl including great blue herons and kingfishers.

After lunch I set up another painting demonstration under the shade shelter at the Native American Village located in the restored prairie near the visitors center. The collection of structures that includes a medicine lodge, council house and chief’s cabin replicates a settlement established by Tecumseh, who was Shawnee, and his brother Tenskwatawa (The Prophet) in 1808 to stop the European westward settlement.

Forced from his homelands in Ohio, Tecumseh formed an alliance with the Ojibwe, Delaware, Kickapoo, Miami, Ottawa, Potawatomi, Shawnee, Wea, Wyandot, Winnebago, Fox, Sac, Creek and Menominee, hoping to repel the advance of European settlement. They congregated at Prophetstown and heard The Prophet speak. While Tecumseh was away recruiting more support, The Prophet decided to strike first in the early morning hours of Nov. 7, 1811 where he engaged William Henry Harrison, governor of the Indiana Territory,  and his 1,200 troops in the Battle of Tippecanoe that lasted two hours. Defeated, the villagers retreated to Wildcat Creek while Harrison’s men burned Prophetstown to the ground.

Pine branches layering the roof of the shelter provided marvelous shade while I began a pastel of the granary and talked to 13 visitors that hot afternoon. Two children and two adults tried out my water brushes, paints, pencils and crayons along with two members of the DNR staff. The naturalists also provided pokeweed berry juice that was used as a dye by the indigenous people and became an excellent paint for my painting activity. I was amazed by its color and consistency and thoroughly appreciated how the poke berries blended in perfectly with the watercolor paints.

After an early dinner at a local restaurant in the town of Battle Ground and a tour of the battlefield along Burnett’s Creek where The Prophet’s warriors met Harrison’s troops, I returned to Prophetstown for an evening painting program at the campground next to the shower house. The head interpretive naturalist, Angie Manuel, not only introduced me as part of Indiana’s Arts in the Parks and Historic Sites with a brief background of the grant program, she brought lots of natural objects and artifacts found on the park grounds for participants to paint.

We had a great turnout with 30 campers showing up for the presentation and 26 kids and adults participating in the painting activity. All told, I engaged with nearly 50 people throughout the day at Prophetstown and learned so much myself about the history of the park and the culture of the Native Americans who maintained the prairie landscape for hunting and gathering. And if you visit this beautiful park be sure to stop by the stone circle located in the northeast corner of the park near the observation deck and basketball court which includes a number of stones bearing plaques representing the known Native American tribes that lived at Prophetstown.

A Perfect Day at Potato Creek

Despite the ominous weather forecast I couldn’t have ordered up a more perfect day at Potato Creek State Park, located just south of South Bend near North Liberty, Indiana. Named after the potato-like roots that were once collected by Native Americans along the creek banks, Potato Creek feeds into Worster Lake, a man-made reservoir begun in the 1930s by local conservationist Darcey Worster that covers 327 acres of the park’s six square miles. Dedicated in 1977, the park’s management programs are focused on restoring and maintaining Potato Creek’s unique natural areas and wetlands.

I began my visit to Potato Creek on Trail 3 overlooking a marshy inlet of Worster Lake directly across from the swimming beach. While setting up my easel to the bass tones of bullfrogs I noted the lushness in the vegetation and trees that contrasted so well with the sculptural starkness of the decaying trunks and logs. I decided to try out an 8 x 10-inch clay panel using my water-mixable oils for the morning demonstration and engaged with six visitors including one who arrived with art supplies prepared to join me in capturing the scene.  It was a pleasure to have some artistic company and discover the same scenery through another’s interpretation.

Around noon it was time to pack up and head toward the nature center on the other side of Worster Lake which took us through some meadows and prairie decked out in summer’s full glory. I was impressed with the size of this state park and the variety of recreational activities that its topography allows. I was informed that this particular park is a frequent location for triathlons and other outdoor challenges. As well as an extensive campground, the park offers facilities and areas for hiking, picnicking, swimming, boating, horseback riding and bike riding.

As the good weather held I was able to set up the hands-on watercolor activity outside in front of the nature center where over 100 park visitors stopped by my art table and a record 66 kids and adults tried out my water brushes, crayons, colored pencils and Micron pens. Luckily I didn’t run out of supplies while people spread out in all directions including some who took advantage of the amazing exhibits inside the nature center to use as painting subjects and came back with their own renditions of turtles, owls, reptiles and even an osprey!

Several of the artists who visited me in the morning stopped by to try out my painting materials and a homeschool family that shared my interests in art followed me to my next stop for the afternoon at the swimming beach. We settled down in a shady spot on the lawn under the trees overlooking the beach and had a marvelous discussion about various forms of art and techniques. Amazingly the predicted violent thunderstorms stayed away as I visited with 27 park guests who were out enjoying the swimming, volleyball, hiking and bike trails. I used a regular canvas panel with oils to capture a beautiful scene on the lake complete with a sailboat, kayaks and the bright spots of color from swimsuits and beach balls.

As we headed south in the light of a gorgeous sunset at the end of the day I was very grateful that the weather forecasters were wrong for once, and I know that the nearly 150 park visitors I met that day were, too. As always, many thanks to the DNR staff who advertised and made me feel welcome, and the Indiana Arts Commission for helping to make painting in the parks possible.