The Completed Quest

 

Paints in the Parks’ final event for 2019 took place on a beautiful Saturday in October at Mounds State Park near Anderson, Indiana. Known for its prehistoric earthworks and the Bronnenberg House built by one of the area’s first European settlers, the park also offers plenty of trails, beautiful views of the White River and an excellent Nature Center where our last painting activity and art show were offered in the spacious community room.

Twenty-five paintings either finished on site as plein air or touched up in the studio were on display along with a brief description of each state park, the date visited and a photo of the scene that was painted. A flyer from every park was also provided with maps of the trails. The art exhibit encompassed all four years of Indiana’s  Arts in the Parks grant projects beginning in 2016 to celebrate the state’s bicentennial anniversary and the state parks’ centennial anniversary.

Visitors were also encouraged to try out the water brushes and other watercolor supplies provided to create art in the park one more time. Sixty participants created their own artwork on small watercolor blocks to take home as souvenirs of their visit. It was great to see old friends and participants from previous park visits as well as new faces stop by to join the painting activity and check out the artwork.

All in all, we couldn’t have asked for a better finale to our four-year Arts in the Parks grant project and our quest to paint in all the marvelous state parks in Indiana. Paints in the Parks thanks the staff at Mounds and the entire Indiana Department of Natural Resources for their support over the years. This project was made possible by funding from the Indiana Arts Commission and the state of Indiana. And special thanks to all the new friends and artists we’ve met over the years. May all of you continue to create art in nature.

While this is the conclusion to our four-year project with the Indiana Arts in Parks program, Paints in the Parks will continue with our mission to creatively connect folks of all ages and experience to nature through art. We’ve recently moved and look forward to painting (and encouraging others) in the many parks and wildlife reserves in the rolling hills of southern Indiana, also home to a rich history in the traditions of arts, crafts and plein air painting.

We wish our readers a happy 2020 and hope that you will continue to follow us in our artistic adventures on this website and our Facebook page Paints in the Parks!

Advertisement

Shining Waters at Shakamak

Paints in the Parks spent one of the most gorgeous days of the summer at Shakamak State Park in August. Created in the late 1920s from land donated by three Indiana Counties south of Terre Haute, Shakamak owes its name to the Native Americans who aided Tecumseh in his famous efforts against the U.S. and offers three manmade lakes totaling more than 400 acres. Recreational opportunities found at the park include fishing, boating, camping and hiking as well as swimming at the impressive aquatic center serving the needs of the farming community for miles around.

I spent the morning painting what I called “the dock to nowhere” on Lake Shakamak which is a remnant from diving towers that were used for swimming competitions and Olympic trials by celebrities such as Esther Williams and Johnny Weismuller. All that’s left now is an enigmatic section of dock that underscored my plein air scene. While enjoying a pleasant spot in the shade cast by a nearby grove of trees, I visited with early-rising campers who stopped by during their morning walks to check out what I was doing.

For the afternoon I moved to the spacious brick and timber pool shelter, one of many structures built in the 1930s by the Civilian Conservation Corps. I set up my painting activity on tables overlooking the busy aquatic center, and spent the rest of the day having some great conversations with families who stopped in to try out the water brushes and other art supplies. Many were taking a break from swimming to cool off in the shelter in their swim suits, appropriate attire for watercolors!

While Shakamak is off the beaten path, we highly recommend a trip to this beautiful park with its aquatic history and gleaming lakes. The park’s aquatic center, modern campground, family cabins, abundant wildlife and miles of trails are definitely worth a trip to the west central side of the state.

Land of Lincoln

In July Paints in the Parks made the long car trip to Lincoln State Park in the southernmost part of Indiana where young Abe Lincoln spent part of his youth. Established in 1932 as a memorial to the 16th president’s mother, the 2,026 acres of this state park are also home to Lincoln’s sister Sarah’s gravesite, the Lincoln amphitheater, and a bicentennial plaza with markers illustrating various milestones of Abe’s life in Indiana.

I set up my easel for the morning at the edge of Lake Lincoln to paint the log cabin boat rental that was formerly a ranger cabin built by the Civilian Conservation Corps, who also planted most of the trees and created many trails in the park during the Great Depression. My location was near the extensive electric campground, so I received plenty of visitors while I painted the cabin and blooming waterlilies with my water-mixable oils.

After a busy morning and a good start on the painting, I spent the rest of a beautiful summer day at the park’s new porch overlooking the park’s swimming beach, where I offered my hands-on painting activity to swimmers and picnickers on their way to the beach, the restrooms or the convenient camp store inside the beach house. All afternoon, fellow artists grabbed their paints and water brushes to create artwork under the shade of table umbrellas placed around the deck with a cool breeze and a great view of the beach — definitely one of the nicest settings I’ve experienced for the painting activity!

I was even able to continue work on my painting of the log cabin from a different angle on the deck and wrap up a very pleasant day at a beautiful state park that bears our 16th president’s name. During this trip, we also took advantage of a free visit to the Lincoln Boyhood National Memorial across the road from the state park entrance, which includes a stunning Art Deco memorial building and visitor’s center, the living 1820s historical farm, a bronze casting of the Lincoln’s cabin and Nancy Hanks Lincoln’s gravesite.

It was truly an honor to paint and walk the grounds where Abe lived and worked from age seven to twenty-one. I highly recommend visits to both these parks–you won’t be disappointed!

Views of Versailles

Paints in the Parks was grateful to visit Versailles State Park on one of the few warm, sunny days in May. Our first program of 2019 was offered as part of National Kids in the Parks Day and a free fishing day at all Indiana state parks. While many fish were caught and released that day, many paintings were created as well.

Most of the day was spent near Versailles’ 230-acre lake built in the 1950s as an area water supply and recreation outlet. While fishing and boating are still permitted, the swimming pool complex, complete with waterslide, has replaced the lake for swimming activities. Versailles State Park also holds the honor of becoming Indiana’s first federal park in the 1930s when the Civilian Conservation Corps built the park’s infrastructure and erosion controls. In 1937, the National Park Service deeded the property to the state of Indiana to become Indiana’s second-largest state park.

I spent a pleasant  morning painting a particularly picturesque tree that cast interesting shadows against the backdrop of Versailles Lake with its fishermen and boaters. In the afternoon, I set up my hands-on painting activity in the shade of a centrally located building housing the nature center and camp store (which was very busy selling ice cream on this hot afternoon!) I interacted with plenty of folks taking advantage of the opportunity to fish without a permit in any state park this particular Saturday, and a bird watching group that gathered to hike one of many paths through hardwood forests full of a variety of wildlife, habitats, fossils, sinkholes and springs.

Despite the unusually hot temperatures that we hadn’t felt yet this year, quite a few artists joined me to paint at the table or a nearby bench while we talked about the Arts in the Parks program and their favorite subjects to paint. Many who were camping for the weekend came to the camp store for supplies, and found art as well!

After spending a pleasant few hours offering the painting activity, I relocated to a shady spot across the lake from where I’d painted in the morning with oils, and added a quick watercolor to my moleskin journal. We packed up and hit the road right before a big thunderstorm arrived to cool off the evening. As always, Paints in the Parks thanks the Versailles park staff and the Indiana Arts Commission for another successful visit to the parks.

Spooktacular Fun at Summit Lake

Paints in the Parks’ final park visit for 2018 took place on a very cold day at Summit Lake State Park near New Castle, Indiana, where I painted some colorful fall foliage reflected by the lake and had a blast offering my painting activity at their Spooktacular campground event, complete with pumpkin carving, chili cook-off, s’mores and very creative Halloween costumes. What a great ending to our third grant year!

Part of 2,680 acres set aside for recreation and flood control measures along the Big Blue River in the 1970s, Summit Lake’s 800-acre lake attracts woodland animals and 100-species of birds in addition to providing a home for bass, sunfish, crappies and yellow perch. Established as Indiana’s 19th state park in 1988, Summit’s name comes from its location at one of the highest elevations in the state. The park is also home to Zeigler Woods, a preserve that presents a rich variety of native flora and fauna that could be found in abundance before the area’s development in the 1800s.

In the frigid morning light, I set up my easel at one of the three boat ramps near the park’s boat rental and docks. Even though I had trouble feeling my fingers enough to hold a paintbrush, I enjoyed seeing the first flush of fall color reflected in the lake from trees along the shore. Our unusually late autumn had me itching to add some reds and oranges to all the green that I’d been painting for months. A few hardy souls ventured out in the frosty air, particularly fishermen who quickly and efficiently launched their watercraft into water that was much warmer than the cold air above it, creating misty clouds that floated above the surface like ghosts in keeping with the day’s Halloween theme.

A few hardy souls chatted with me as I struggled with my water-mixable oil paint that becomes very gooey in cold weather. While traditional oil painters can work outside in freezing temperatures without too much trouble as long as they avoid frostbite, I found out the hard way that the morning’s 38 degrees pushed the limits with medium that is water-based. That’s okay though, because my indoor studio is always available when the weather turns cold!

After a good start on a view of the shoreline’s fall foliage, I spent the rest of the day at the campground naturalist’s site, strategically located right next to the chili cook-off and a crackling fire for hand-warming and s’mores making. I offered my watercolor painting activity as part of Summit Lake’s annual Spooktacular campground weekend where prizes are given for the best-decorated campsite, the tastiest chili, and the most creative carved pumpkins. As the sun came out to stay and the day grew warmer, costumed crowds gathered to sample a long lineup of crockpots filled with spicy family recipes, construct messy chocolate and marshmallow confections, vote on the crazily creative carved pumpkins, and even test out my large array of art supplies to paint their own spooky postcards full of ghosts, ghouls and greenery.

I especially enjoyed watching artists working on several picnic tables provided by the park while sporting all kinds of costuming, from monarchs to kitchen mops (yes, really). Participants’ outfits and face paint added an amazing kaleidoscope of color to match the splashes of creativity on their canvases.  At the end of a very successful few hours before the park closed the roads for their trick-or-treat parade, over 80 park visitors had stopped by our special canopy and table, with 50 children and adults creating art despite all the other wonderful diversions going on at the same time!

My fingers and heart were certainly warmed up by the time we drove off into the sunset of another fulfilling year with Indiana’s Arts in the Parks and Historic Sites grant program. As always, I’m very grateful to the Indiana Department of Natural Resources and the Indiana Arts Commission for making this program possible. And a special thanks to everyone who participated or stopped by in 2018–your smiles at the end of the day make our park visits endlessly worthwhile!

Wonderful Watercolors at Whitewater Memorial

In August I spent a lovely day along the banks of Whitewater Memorial State Park’s beautiful lake located south of Richmond, Indiana, close to the Ohio state border. Established in 1949 to honor those who served in World War II, Whitewater has the distinction of being the only state park purchased with funding raised by the citizens in four Indiana counties, making it truly a park for the people. The 200-acre manmade lake is surrounded by wooded rolling hills, steep ravines and an impressive dam that provides access to neighboring Brookville Reservoir.

I began the day on a bluff overlooking Whitewater Lake near one of the many shelters available for picnics and gatherings. The Saturday I visited,  members of a big family reunion walked over to engage with me about my painting demonstration set up in view of the water through an opening in the trees. I was grateful for shade on this hot summer day not only for comfort but also to help with the sun’s glare that can distort my paint colors. I was also situated along one of the trails and roads that follow the shoreline, so I was easily accessed by park guests driving cars, riding bikes and hiking.

At noon, I moved to the bathhouse near the park’s swimming beach which again provided plenty of shade on a covered patio overlooking the beach. The upper level was under construction and will become the future site for Whitewater’s nature center. Besides swimming, there are plenty of opportunities to fish, camp and ride horses along miles of bridle trails. While we were painting, all kinds of boats and watercraft floated by and many bird species flew over or landed in the water.

Another large family reunion stopped by my painting activity after swimming and showers to try out the water brushes and paint supplies. I was thrilled to see so many crowding the picnic tables to paint while one young lady softly played her ukulele.  In all, fifteen young people had fun with watercolors with as many adults cheering them on and assisting the littlest artists. We gathered for a great group photo thanks to one of the moms who miraculously organized everyone to stand still, smile and even display their artwork all at the same time!

The final stop was once again located in a shady spot next to the boat rental shop, with a rack of kayaks on display and an enticing dock that I couldn’t resist painting in pastels on one of my ampersand pastel panels. I was particularly attracted to the bright reflected flush of gold foliage on the opposite shore, a reminder even on a hot day in August that autumn is just around the corner. The steady stream of boaters leaving or returning with their rentals gave me plenty of opportunities to show my work for the day and discuss the merits of creating art outside.

It was a perfect way to wrap up a relaxing day of creating art and connecting with over 60 visitors. Paints in the Parks was also honored to be the first Arts in the Parks event held at Whitewater Memorial State Park, making this visit a special one to remember.

A Terrific Time at Tippecanoe

What do triathletes, a famous furry celebrity and a plein air painter have in common? We were all present for a fun Saturday in July at Tippecanoe State Park, located north of Logansport, Indiana. The day began with a triathlon race with a finish line on the banks of the Tippecanoe River that runs seven miles along the eastern border of the park, and ended with a 75th birthday celebration of the park’s establishment in 1943, including cake and an appearance by Smokey the Bear!

I began my day by painting a bucolic scene at the river overlook near the park’s expanding nature center and close to the finish line for the triathlon. While we waited for the first race participants to float into view, I captured the waterway that was a major highway for the Potawatomi who called this area home and the French fur traders who came from Canada seeking beaver pelts in exchange for blankets, utensils and other goods. By the 1800s settlers cleared the land for farming and grazing. In the 1930s the U.S. Department of the Interior acquired over 7,000 acres which were not well-suited for agriculture along the Tippecanoe and eventually designated most of it as a Fish and Wildlife area. The remaining 2,761 acres that lie east of US 35 are still part of the state park.

By the time I made good progress on my oil painting and was ready to move on to my painting activity, I’d visited with plenty of park guests who were rooting for race participants and watching them paddle down the river, including the first finishers who stopped by while eating post-race snacks and catching their breath. The weather was perfect for paddling and painting that day, and I couldn’t have asked for better.

The remainder of my visit took place under shady trees in the front lawn of the nature center, where Paints in the Parks had stiff competition from a blacksmith demonstration, a letter-writing activity in honor of veterans serving in WWII during the time when this park was founded, and even a bounce house! Nevertheless, we had a steady stream of visitors all afternoon, who took advantage of a beautiful Saturday afternoon to relax at picnic tables and paint. Smokey the Bear even stopped by, but I couldn’t convince him to ply his artistic talents because he was too busy getting the word out about fire safety for our national forests.

All in all, I engaged with over 80 park guests who were camping, biking, hiking or racing in the park that day, while enjoying the river views and interacting with knowledgeable staff and exhibitors. Tippecanoe River State Park may be off the beaten track and interstates, but it is truly a hidden gem that is worth the drive through country roads and quaint Indiana towns. I know I’ll be returning for my own relaxing visit someday soon.

Melodies at McCormick’s Creek

Situated near the White River south and west of Indianapolis, the deep woods and canyons of Indiana’s oldest state park rang with the happy tunes from the art fair’s soundstage along with laughter and cheerful conversations from painting participants in June. Formerly the hunting grounds of the Miami, McCormick’s Creek was dedicated on July 4, 1916 when its rugged canyons, waterfalls and surrounding acres became the first state park as part of Indiana’s centennial celebration.

Since I used to live nearby, I had visited before and enjoyed returning once again to offer my June Paints in the Parks program and stay at the beautiful Canyon Inn. Besides its picturesque natural features, the park offers a scenic stone bridge, shelter houses and a fire tower built by the Civilian Conservation Corps in the 1930s, in addition to a modern campground, nature center and swimming pool.

I began the morning’s painting demonstration at the Falls Overlook not too far from the Canyon Inn, where I painted the falls formed in the limestone by glaciers long ago while chatting with over fifty visitors. Many were making their way to the bottom of the falls for a refreshing climb on the rocks on a very hot June day. I made a good start to my painting by capturing the tricky flows of water and many colors of the rock, surrounded by all the greens in the overhanging trees.

Around noon, I made my way to the Nature Center where I shared space with the park’s annual art fair of local artists and musicians, many of whom I was privileged to meet and discuss art with over the course of the afternoon. A couple of picnic tables in the shade of the building provided a perfect spot to paint and listen to the wide variety of music floating by from the soundstage, from bluegrass to Cuban! Over forty visitors either painted or helped younger family members paint at the tables or in the nature center where displays provided more subject matter. I noted that many trees and blue skies were created on that sunny June Saturday.

In all, I interacted with over 100 park visitors and met many talented creators at the art fair. Nothing beats making art to the sounds of nature and live music. We packed up just before a big thunderstorm that had been building all afternoon hit. It was the perfect ending, I thought, to my return to one of my favorite parks, with water in another form falling to the sounds of thunder.

Return to Spring Mill

As the dust settles from my third application for another Arts in the Parks grant in 2018, I’ve returned to the studio to avoid an odd post-Labor Day heat wave, and prepare for another September visit to Spring Mill. Hard to believe exactly a year has passed since my first painting trip down to Mitchell, Indiana, the birthplace of astronaut Gus Grissom and home to one of Indiana’s best known state parks.

I’ll be bringing with me completed artwork from last year’s visit, including an 8″ x 10″ oil painting of the wooded bank near the entrance to Twin Caves. I found a great spot to set up and visit with a crowd of park guests waiting for their boat ride into the caves the morning of my program last year. And I was able to get a good start on this view of fallen logs left to decay, creating a natural environment for all sorts of plant and animal life. Back at home, I’ve enjoyed playing with the differences between what is above and below the waterline, helped by the surface refraction of light and shadow.

The afternoon rain showers that day forced me to seek shelter in a breezeway between log cabins while working with a pastel of the three-story limestone grist mill that is the centerpiece of Spring Mill’s pioneer village. Since pastels and precipitation don’t mix (unless you want an accidental watercolor) I had to make some creative choices about omitting details such as the unfortunately placed little tree in the foreground. No matter, I was able to take some better photos when the rain ended that helped me fill in details later and finish this 5″ x 7″ pastel on sanded paper in the studio.

A year later, I’m preparing to paint the grist mill again, this time with oils. I confess that I’m not particularly confident about my skills in rendering buildings, especially using brushes since I have much more experience with drawing. And I find that trees and organic natural forms are much more forgiving than linear edges and the dreaded two-point perspective. I prefer to eyeball and claim near-sighted impressionism as my inspiration.

Last year, I promised to return to Spring Mill in honor of the bicentennial of the grist mill, begun in 1817, with several revisions throughout the years. I particularly admire the stone pillars of the flume that transports water to power the mill wheel from cave springs up the hill. Perhaps I’ll find a shady spot underneath those pillars since, unlike last year, the day promises to be nothing but sun in the upper 80s. But I’m grateful to be able to take these challenges in stride because I’m aware that life, as in painting, is made more interesting in its contrasts.

Harvey and the Hay Press at O’Bannon Woods

 

Seems like each year that I offer my state park program, there’s always one event where I need to make the difficult decision of whether to go ahead on the scheduled date (usually a Saturday) or wait until the next day (usually a Sunday). Last year, Indiana Dunes presented this dilemma, although I’d already booked a hotel just in case. This year, the remnants of Hurricane Harvey threw a very soggy wrench into my plans, forcing me to decide whether to risk a five-hour roundtrip drive that might have been in vain.

Based on the weather forecasters’ best guesses and my previous experience with every hurricane’s notorious unpredictability, I decided to postpone my Labor Day Saturday event at O’Bannon Woods State Park until Sunday. And even when Harvey’s rain did end on Saturday morning in southern Indiana after a 24-hour drenching, the day actually became colder with a damp north wind. Sunday, on the other hand, couldn’t have been more beautiful, as often happens after a hurricane passes through, and I was assured by staff and visitors that I’d made the right choice.

Located west of Louisville in extreme south central Indiana along the Ohio River, the 2,294-acre park was originally established in 1980 as a recreational area called Wyandotte Woods, and renamed in honor of Indiana’s late Governor Frank O’Bannon and his family in 2004. This secluded and beautiful park is nestled within one of Indiana’s largest state forests, the 24,000-acre Harrison-Crawford, which is a timber source that also offers canoeing, hiking, hunting, fishing, birding and swimming.

I spent my day at the charming Hickory Hollow Nature Center, which houses one of the best nature and wildlife collections and exhibits of any park I’ve visited so far. Directly behind the nature center, visitors will find an outdoor wetlands pond, living-history demonstrations in a pioneer farmstead, and a restored, historically accurate 1850s hay press and barn with its own museum. On special weekends throughout the year, demonstrations of the hay press using one of two oxen housed at the farmstead are offered, as well as numerous interactive demonstrations that include tomahawk throwing, archery, rope making, blacksmithing, yarn spinning, log sawing and even panning for gold.

In the morning, I painted the hay press barn where the beautifully crafted stonework on the ramp leading up to the main barn doors caught my eye. Situated along the main path to the pioneer farmstead and all the activities, I had plenty of chances to engage with not only park visitors but also the friendly volunteers who spend many hours sharing their talents and expertise for the love of the park and what they do. In fact, my husband and I were welcomed with hot coffee and blueberry pancakes fresh off a cast iron griddle over an open fire as soon as we arrived. You can’t beat that!

Around noon, I set up for my painting activity in the sunny courtyard between the nature center and the barn where the hay press demonstration takes place. Almost immediately, visitors were lining up to try out my water brushes and paint supplies. Ann, one of the volunteers from the pioneer farmstead, joined me to offer frames for completed artwork as part of their children’s craft. The paper frames glued to regular copy paper could be decorated with crayons and stickers, and some participants even used watercolor paint! The frames really added to the artistic experience, and I was very grateful for Ann’s idea that could be a great creative option in the future.

Even during the hay press demonstration, with 400 visitors in attendance, there were still plenty of artists outside painting on the convenient picnic tables while the sun shone, the birds called and butterflies landed on flowers in the wetlands pond. In total, O’Bannon Woods broke all the Paints in the Parks records so far, with over 200 interactions and 85 painting participants! It was so gratifying to watch entire families painting at picnic tables, with multi-generations peacefully sharing paints and water brushes, chatting and laughing. Several parents remarked on how easy and natural this activity is, but how seldom it seems to happen at home.

Since I ran out of almost all my supplies after such a tremendous turnout, I was able to wrap up with enough time to tour the farmstead myself, interact with the artisans who were demonstrating their own skills, and admire the many forms of creativity and art offered. In fact, the hay press itself is a marvelous piece of art in my opinion, with its hand-carved wood and practical beauty. Of course, I need to return one of these days so I can see this art put into action!