Mounds State Park

The Completed Quest

/ Tamara Brown / 2 Comments
Summaries of all the parks with a photo of the scene that was painted were prepared in advance.
The twenty-five park paintings were displayed around the room with their summaries and brochures.
One last chance to wear my bicentennial state park shirt with all the parks checked off on the back while discussing my equipment and art supplies.
We also displayed all of the postcards that Arts in the Parks participants had gifted us over the years as well as examples of the watercolor field kits we used.
We got a kick out of all the painting participants who jumped right in to creating art.
The painting activity even expanded to other tables!
The painting table was always busy at our final Arts in the Parks event.
These are some of the paintings from 2018 and 2019.
Participants enjoyed seeing state parks that they’d visited before and discovering parks that were new to them.
It was fun to see artists of all ages in action. Even the very young can use those water brushes with the water in the handles.
These artists were deep into the creative process.
We end with the question that has traveled with me through every state park for four years. And now my spider friend and I leave that question for you. Why do YOU paint?

 

Paints in the Parks’ final event for 2019 took place on a beautiful Saturday in October at Mounds State Park near Anderson, Indiana. Known for its prehistoric earthworks and the Bronnenberg House built by one of the area’s first European settlers, the park also offers plenty of trails, beautiful views of the White River and an excellent Nature Center where our last painting activity and art show were offered in the spacious community room.

Twenty-five paintings either finished on site as plein air or touched up in the studio were on display along with a brief description of each state park, the date visited and a photo of the scene that was painted. A flyer from every park was also provided with maps of the trails. The art exhibit encompassed all four years of Indiana’s  Arts in the Parks grant projects beginning in 2016 to celebrate the state’s bicentennial anniversary and the state parks’ centennial anniversary.

Visitors were also encouraged to try out the water brushes and other watercolor supplies provided to create art in the park one more time. Sixty participants created their own artwork on small watercolor blocks to take home as souvenirs of their visit. It was great to see old friends and participants from previous park visits as well as new faces stop by to join the painting activity and check out the artwork.

All in all, we couldn’t have asked for a better finale to our four-year Arts in the Parks grant project and our quest to paint in all the marvelous state parks in Indiana. Paints in the Parks thanks the staff at Mounds and the entire Indiana Department of Natural Resources for their support over the years. This project was made possible by funding from the Indiana Arts Commission and the state of Indiana. And special thanks to all the new friends and artists we’ve met over the years. May all of you continue to create art in nature.

While this is the conclusion to our four-year project with the Indiana Arts in Parks program, Paints in the Parks will continue with our mission to creatively connect folks of all ages and experience to nature through art. We’ve recently moved and look forward to painting (and encouraging others) in the many parks and wildlife reserves in the rolling hills of southern Indiana, also home to a rich history in the traditions of arts, crafts and plein air painting.

We wish our readers a happy 2020 and hope that you will continue to follow us in our artistic adventures on this website and our Facebook page Paints in the Parks!

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Painting Matters at Mounds

/ Tamara Brown / 2 Comments

With one successful park program under my belt last May, I began June’s visit to Mounds State Park near Anderson, Indiana, with a little more confidence, boosted even more by the two lovely ladies who were waiting to draw with me that morning. The park naturalist had done a great job advertising the Paints in the Parks event, and they had brought along pencils and paper to capture the Great Mound with me for a pleasant few hours.

The weather was sunny and mild that day, maybe the best of all the park visits last year. I found a good spot with a little shade near the trail leading to the Great Mound’s entrance, where I could talk to visitors strolling by as I took advantage of the strong morning light and shadows. Faced with the largest of the earthworks created by a group of prehistoric people, I could only capture a portion of the mound, reenforcing the plein air painter’s need for framing and omission in the composition of a painting.

I’m pleased to report that the Great Mound’s distinctive shape topped by tall trees and surrounded by a rustic rail fence prompted park guests during subsequent events to immediately recognize the subject whenever they saw this painting on display. Considering that these remarkable landmarks had to survive the construction of an amusement park on top of them in the early 20th Century, I’m very lucky to still be able to capture the spirit of this sacred site.

The above glimpse of my palette gives me the perfect opportunity to introduce my choice of paint and colors. A friend who is an accomplished art teacher and oil painter gave me a beginner box of Artisan Water Mixable Oils made by Winsor & Newton. Since I began my training as an acrylic painter and knew nothing about oils, I was eager to try an alternative to the traditional thinners and mixes, and use water for mixing and clean up. I supplemented with tubes of Duo Aqua Oil by Holbein, which are very creamy and easy to use. My color palette includes the usual basics like Lemon Yellow, Cadmium Yellow, Cadmium Red, Alizarin Crimson, Cerulean Blue, Ultramarine Blue, Burnt Sienna, Yellow Ochre and Titanium White. But I also like to include Dioxazine Violet, Raw Umber, Cadmium Orange, Cobalt Blue and Prussian Blue.

And then there are the greens. Because you need to work fast in plein air, I prefer to go the “lazy” route of pre-mixed greens (suddenly I have a hankering for salad), which include Sap Green, Light Cadmium Green, Phthalo Green and Terre Verte. As you can see, that makes for quite a few colors lined up, so it’s helpful to have them already squeezed out before you head out to paint. I use a covered palette with a piece of palette paper cut to fit in the bottom for easy cleanup. This arrangement has worked for me, but there’s still some waste despite the small amounts. In 2017 I hope to try a more limited palette that will control the relationship between color groups and emphasize values better.

Around lunchtime I packed up the oils and moved down the trail to the Bronnenberg house, pioneer residence to one of the first settlers in the area. I will admit that buildings, straight edges and perspective are not my forte; give me a twisted tree trunk or winding stone-strewn creek any day. With that in mind, I had already gotten a good start on a pastel of the historic site in my home studio based on photos from a previous visit. I knew the tiny details of countless mullioned window panes would be my undoing on a rickety easel along the breezy and uneven trail. Some work is best done flat on a table.

What was left was mostly what I enjoy, like filling in plantings and the rail fence in the front yard. My preparation paid off as I continued to greet and chat with a large group on a nature hike, as well as folks touring the house. I even gave a short video interview for a reporter from a local newspaper as I nervously dabbed at my picture with soft pastels. One of my friends from Indianapolis joined me to paint with her watercolors. The sun continued to shine, but wasn’t unbearably hot.

After a couple of hours that went by too quickly, I was ready to pack up and head for the Nature Center to offer my watercolor painting activity and participate in a big birthday party with an enormous sheet cake to help celebrate Indiana’s Bicentennial and the state parks’ Centennial.  More next time about my pastel palette and pastel paper preparation. Until then, help yourself to some cake!

Magic at Mounds

/ Tamara Brown / 2 Comments
Happy to trade painting tips with fellow artists on the trail by the Great Mound.
It’s always a race against the clock to capture fleeting shadows in water-mixable oils before they shift.
Had nice chat with visitors about pastel painting while a friend from Indianapolis joined me with her watercolors.
Putting the finishing touches on this pastel of the Bronnenberg House which I began earlier in my studio.
The hot June sun gave me a chance to try out my new plain air umbrella to reduce glare.
My crew of art experts tested out the new waterbrushes and field kits at the Visitors Center. They gave the art supplies an enthusiastic thumbs up!
Talking to moms about my handout of suggestions for summer fun with art. If you want a copy, come to my next event or contact me for an email version.

My visit to Mounds State Park last Saturday was full of sunshine, painting, and chats about art with new park friends. One of the smallest parks in the Indiana state park system, Mounds isn’t as well known as some of its larger and more scenic counterparts, but the mysterious earthworks resting amid wooded trails and the White River, as well as the historic Bronnenberg House, make a visit to the Mounds worthwhile.

This 290-acre park features 10 unique earthworks built by prehistoric Indians known as the Adena-Hopewell people. The largest earthwork, the Great Mound, is believed to have been constructed around 160 B.C. Archaeological surveys indicate the mounds were used as gathering places for religious ceremonies, from where astronomical alignments like the summer and winter solstices can be viewed.

The Federal-style Bronnenberg House is a lasting reminder of early settlers who recognized the uniqueness of this area and protected the earthworks from looters and farming practices. Despite the construction of an amusement park and railroad in the early 1900s, the Bronnenberg family actively fought to preserve the mounds. Along with the house, the prehistoric earthworks became part of the state park in 1930. The fully-restored brick structure seen today was originally built around 1850 and is open for tours.

Throughout the day over 85 visitors stopped or strolled by, and I had the pleasure of creating art at the Great Mound in the morning with two new friends who brought their own art supplies ready to draw! In the afternoon, 20 kids and adults took me up on my challenge to try out the waterbrushes and watercolor field kits. After attending a birthday party celebrating the Centennial of the Indiana state parks, we stuck around for drumming and dance by the Miami Nation of Indiana that took place inside the Great Mound this year.

Like the Bronnenberg’s, I recognize the uniqueness of this particular park and its earthworks. Painting in this ancient place fills me with peace and a sacred sense of wonder. Often overlooked despite its close proximity to Indianapolis and I-69, I chose this particular park to bring attention to its beauty and special charm, grateful to those who protected and preserved the Mounds’ special magic over the years.