Pastel Pursuits at Turkey Run

The next stop in the countdown to my 2017 visits to Indiana’s state parks goes back to a beautiful day in July at the unique Turkey Run State Park. Easily the most visited state park in Indiana, I spent a productive morning at the busiest spot at Turkey Run — the suspension bridge over Sugar Creek. You couldn’t ask for a better position to engage the public. I broke all attendance records for the morning alone!

In order to visit most of the dramatic cliffs and canyons in the park, you must cross the creek over a bridge that does move a bit depending on the wind and traffic. I set up for the morning in the cool shade of a convenient clearing in view of everyone hiking up and down the steps of the mossy concrete support for the cables that hold up the foot bridge. Even with many pauses to chat with visitors at this visible spot, I made enough progress on my painting that people could recognize what I was working on.

I chose to paint with pastels that morning, and had already prepared a piece of sanded 8″ x 10″ Wallis pastel paper secured with white artist tape to a piece of foam board. I’m able to clip this set up to the easel of my pochade box the same way I do my panels for oil painting. That way when I’m finished and need to move on, I can carry the pastel clipped to the outside of the box, or place it in one of the plastic bins I bring along to protect the fragile pastels from the elements and keep everything else away from the dust.

I use several brands of soft or chalk pastels, although I’ll be experimenting with oil pastels in 2017. I have used the firmer Prismacolor NuPastel sticks since college, and prefer them for crisper edges and a wide variety of colors at a reasonable price. I also use Derwent pastel pencils for clean, sharp lines and details. A few years ago a painting teacher at my local art center introduced me to Rembrandt pastels, which are softer and pricier. After enjoying the depth of color I’ve achieved with these, I finally took the plunge and bought a few of the very expensive Sennelier soft pastels in buttery, darker shades. I’ve learned the hard way that you have to pay big bucks for those very necessary dark shades that pop the lighter colors and add depth to your painting.

After taking shelter under the nature center’s covered porch for a big thunderstorm, I hauled only the basics (my pochade box and a camp chair) down the many steps to the bottom of Turkey Run Canyon. Perched on the edge of the swollen creek, I began an oil painting on a 9″ x 12″ panel while hikers tried to cross over on the few remaining rocks jutting out of the water. Few made it across without getting their feet wet. Meanwhile, I tried to replicate the beautiful saturated colors left by the rains as the sun’s rays hit all the water particles suspended in the air, turning them to diamonds.

Neither photo nor painting could do justice to the enchanting scene I hoped to capture that afternoon. I hope to remember it always, and now have a completed painting to help jog my memory. I particularly enjoyed painting all the warm colors found in the water, pebbles and sand as complements to the cool blues and purples of the canyon walls and woods.

Keep an eye out for a change of pace and completely different scenery when I head up to the sand dunes of Lake Michigan for my next installment. Until then, happy creating!

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2 thoughts on “Pastel Pursuits at Turkey Run

  1. I have a tough time with color, and pastels I know from nothing, so I really enjoy your commentary about color seen and color captured. I can believe that you never feel you’ve exactly replicated what you’ve seen — the curse of the artist and writer — but that personal interpretation of color gives something more exact that you’d imagine. IMHO. I do think I heard that Indiana summer storm as I read this. Now I look forward to the Dunes.

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    • Thanks for hanging in there with my lengthy mutterings, Maureen. I feel like I cheat with color a lot, especially when the foundational drawing is wonky. Accuracy in layout and drawing is so important, a skill you excel in with your botanical drawings. I need to learn more patience before I get excited with color.

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